The plasters from the bath complexes (public buildings) and the Temple à trois cellae (sacred building) were very poorly made, while those from areas VII and XX (private buildings) indicated the involvement of more expert masons. Plaster aggregate was made using a mixture of sands and clays that outcrop nearby, while lime was probably produced using the local limestone crust, as was further verified for the mortars. The sample characterization was obtained using optical microscopy, scanning electron microscopy, image analysis and Raman micro-spectroscopy. The new archaeometric evidence sheds light on these rare examples of Roman wall painting in the Sicilian Roman province, which until today have not been systematically studied from the point of view of materials and execution techniques, confirming the dating and connections with contemporary workshops active in other Roman provinces.Ī total of 22 samples were taken both from plasters still in situ and from collapsed material recovered by French, Italian and Moroccan teams at the Roman settlement of Thamusida (Rabat, Morocco). Finally, infrared imaging provided new data about the pictorial technique and iconography. X-ray fluorescence analysis was carried out to identify the original pictorial palette, and electron microprobe analyses coupled with energy-dispersive X-ray spectroscopy to define the alteration products. The scientific investigation was preliminarily based on a non-destructive approach, performed in situ using portable equipment and subsequently, the further examination of a micro fragment using micro-destructive investigation. The recent careful cleaning of the pictorial surfaces and the new archaeological and archaeometric research revealed unusual details about the pictorial technique and newly painted subjects. In 1874, five panels were detached from the walls and moved to the National Museum of Palermo for conservation purposes. The House of the Masks definition was suggested by Salemi Pace in 1872 when he published the discovery of frescoes with colourful garlands and theatrical masks. This fresco cycle embellished the walls of a banquet room (oecus) discovered during an archaeological excavation carried out by Giovanni Patricolo in 1869. This house was a luxurious private residence built on two floors and centred around a peristyle. ![]() ![]() The cycle of frescoes unearthed is the best preserved and most complete example of wall painting dating to the Republican Roman period in Sicily. These significant paintings, dating back to the first century BCE, are the most significant examples of Pompeian style discovered in Sicily to date. MIDDLE-EARTH, THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, THE LORD OF THE RINGS: THE TWO TOWERS, THE LORD OF THE RINGS: THE RETURN OF THE KING and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc.The Archaeological Museum of Palermo (Sicily) has recently presented the results of the restoration of three wall paintings from the House of the Masks of Solunto archaeological site. THE HOBBIT: AN UNEXPECTED JOURNEY, THE HOBBIT: THE DESOLATION OF SMAUG, THE HOBBIT: THE BATTLE OF THE FIVE ARMIES and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc. GW, Games Workshop, Citadel, White Dwarf, Space Marine, 40K, Warhammer, Warhammer 40,000, the ‘Aquila’ Double-headed Eagle logo, Warhammer Age of Sigmar, Battletome, Stormcast Eternals, and all associated logos, illustrations, images, names, creatures, races, vehicles, locations, weapons, characters, and the distinctive likenesses thereof, are either ® or ™, and/or © Games Workshop Limited, variably registered around the world.
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